When Cecilia Austin, whose work I have been admiring for a while now, asked me to be the stylist on a photo shoot inspired by one of my all-time favorite movies, Amelie (Le fabuleux destin d’Amélie Poulain), I nearly wet myself with glee.
It is a astonishing, painterly movie but Audrey Tatou’s wardrobe – as I found when I re-watched this masterpiece for inspiration – is just a touch dated and ordinary (probably in order to downplay her undeniable good looks). I loved the challenge of bringing out the iconic whimsy and 1920’s inspiration a lot more, while keeping the bashful naiveté and tomboyish mischief that so defines her character.
This pale cornflower ballgown from the 1950s was a left field exception, granted, but we had somehow gotten permission from the Historical Society to shoot in San Francisco’s majestic Old Mint after all, and nothing else would do for the ballroom-like vault room. This dress was the property of one very talented Kristin Cofer‘s late grandmother, and she kindly entrusted me with this relic. I am so glad we could immortalize it for her. So lovely.
Photographers = Cecilia Austin and Ed Cabalit
Model = Jocelyn Largent
Hair and Makeup = Diane Worthley
Stylist = Amber Mortensen
Special Thanks to Kristin Cofer and Alicia Black of Babyfoot Vintage