A reoccurring daydream of mine has been to have too much time to myself, isolated from the world for several months with nothing but my sewing machine, a large iTunes library, and enough super healthy food that I wouldn’t have to venture into the world at all.
It’s a reverie that has calmed me when overwhelmed, hungover or sick to death of my job. I would plan my escape, figuring how much I would have to save up, where I would go, who I would tell (very few), and what I would do if somebody tried to break into this hypothetical house while I was sleeping and murder me for no reason I know this is an absurd thing to stress myself out about but I can’t help it and I have done it since I was a kid and nothing remotely like that has ever happened to me but I still freak out about it and on a similar note camping is terrifying.
Um. Well, as luck would have it, this scenario (the house to myself, not the faceless axe-wielding maniac*) was handed to me on a silver platter right when I got back from accidentally spending two and a half weeks in the Bible Belt (Make that four and a half weeks for Rian and Ryan, who are finally hauling yacht back to LA).
When my friend Monique asked me to dog/cat/veggie garden/house sit for most of July, I jumped at the chance. A perfect opportunity to cash in on some much needed alone time and prepare for the fashion show I agreed to do July 20th, my first in over a year. So I moved my few belongings in, bought a ton a healthy food, turned on some Moonface and sat down to sketch…
Everything I drew looked contrived and amateurish. And boring. I concentrated on the theme. I looked at magazines. I finally joined Pinterest. I had long phone conversations with my mom on the topic(s) of art vs. business vs. selling out vs. no one cares vs. blah blah blah and had countless revelations which I immediately forgot.
After a week and a half spent hunkered down, trying to concentrate, cursing my lack of vision/motivation/a flat stomach, I had a little facebook chat with my friend Michael Lopez. A fellow designer, he seems to be constantly producing things, updating his etsy store, doing photoshoots…he displays a level of excitement and productivity I haven’t felt since I was 22 or so (not counting a few little spurts coinciding with wanting to impress someone, or that little known internet gem called Concrete and Cashmere).
Michael explained that when he didn’t feel inspired to sew, he’d screen print, or just make basic crop tops, just make something. Slowly I began to remember what it’s like to sew. Most of the time when I end up with a piece I really love, it was one that continuously morphed as I made it. Sure, I’d have a basic sketch, but since I rarely work from patterns, I’d always be compensating, changing it from the shape I originally intended and into something new and beautiful that I didn’t expect. (<<< check out that sick metaphor 4 life, bro.) So instead of sitting around watching the first two seasons of Louie and getting more and more depressed, (well, not instead. I should have said, after watching the first two seasons of Louie and the Joan Rivers episode totally punching me in the revelation gut, and the duckling episode making me cry) I made a decision.
I decided to stop thinking.
Specifically, thinking about the future. My mind had been occupied with so many career-related what-ifs and if-I-can’t-make-clothes-then-what-is-my-purpose-in-lifes, that my hands had become immobile. All I had to do was pick up the fucking scissors and get to work. And so I did. And I made a couple of really shitty pieces of clothing.
But it was either actively try to create, or give up and slump into a lethargic Netflix globule, whining to the dogs about how pathetic I am.
Two days later, things started to turn around. Tonight I finished a fourth gorgeous dress and I couldn’t be more excited about the upcoming show. As I stated in my last post, the evening’s theme is Future Primitive, something that at first didn’t resonate with me. Now, however, I can confidently see where this collection is going and pinpoint its main themes. Ladies and gentlemen, get ready. The designs in their essence:
Lascaux cave paintings -meets- Juggalo babes going to the opera.
(I’d like to note for the record: I just spent twenty minutes photoshopping hatchetmen** onto a cave wall for you and then said aloud “What the fuck am I doing?”)
*I am fully aware of my absurdity here, and have talked my heart out of exploding countless times: What are the chances that there is a guy with an axe/revovler/candlestick just wandering through these woods right now? It’s raining anyway, he’d be too damp and uncomfortable to be in the mood to kill me, and besides he doesn’t know me. Most murders are committed by someone the victim knows, right? Or am I thinking of rapes? Or am I thinking of most car crashes occurring within five miles of your house? Whatever. There would be no motive, is what I’m getting at. And if this imaginary calculating brute is for some reason an acquaintance of mine, why me? I’m so nice! And I’m poor! I have literally nothing this creep could want. He couldn’t even want my identity, since I have somehow managed to achieve a terrible credit score, despite the fact that I didn’t go to college and I’ve never had a credit card. To conclude, there is no chance that anyone is trying to kill me. That sound I heard was probably just a bear.
**The irony of this post involving potential “axe wielding” individuals AND hatchetmen just now hit me.