Jamaica Scissorhands, Or How I Learned to Stop Worrying and Love my Obsessive Haircutting Tendencies

Well, hey there. Do you remember me? We went on a couple of dates in early 2010. I had the lobster and one too many dirty martinis. You had me at hello. You seemed to listen to my advice (making unflattering thrift jeans skinny). I enjoyed your company, and I meant to keep giving you alteration pointers and pictures of myself in outfits that I obviously thought were very chic at the time, but then… I saw something shiny and wandered off with maple glazed eyes.

I’m sorry. I didn’t mean to abandon you. I’ll never make that mistake again, baby.

Okay, now that we’ve cleared that up, let me bring you up to date:

Firstly, I’m still holding down the fort in Tucson after Amber abandoned ME and moved to the big city where I should probably (ok, definitely) be. But since I already followed her from Sacramento to Tucson I figured I should wait a little bit before I follow her to LA so she doesn’t get suspicious when I move into her living room. Again.

Part 2: I chopped off my hair.

I first cut it short two years ago, and it’s proved impossible to grow out. For some reason, every time it shows a bit of progress, I gravitate toward my scissors like some magnet-handed maniac. I have admitted that I have a problem. I make my roommate promise to not let me cut it no matter what, and then I find myself sneaking to the bathroom mirror while she’s at work. shooting furtive glances at the door just in case she comes home early. I admit my weakness the second I see her. She throws her hands up in defeat and I flinch, afraid she’s going to hit me.

Compulsive behavior? Definitely. But is that so wrong? Cutting my hair is my only addiction besides the insane amount of coffee I consume daily. So maybe I should cut myself a little slack. I mean I have to admit I’ve had some great self administered cuts. So what if they lasted two weeks each?

The original pixie cut I could never have achieved on my own. I owe 200% of that glory to the unrivaled Danielle Cushing of Mauricio Fregoso Salon. A seriously great cut that I didn’t touch for a good 3 months (a personal record!).

After that, I took scissor in hand and over the course of 2011 made myself look like several different species of Star Trek aliens, Lloyd Christmas, and Jon Stewart as Marion Frank Stokes in Death to Smoochy.

But then! O glory! While flipping through the New York Times Sunday glossy insert thing one November morning, I spied a Pringle of Scotland ad featuring a tow-headed, bowl-cutted Tilda Swinton and I swooned. (Swintooned?)

This “warrior girl fringe” as the actress put it, is pure brilliance. I dove in with my own brunette version on Christmas Eve. Luckily, my roommate was with her family and I was home alone getting ready to hit the town, loudly and drunkenly crash a really mellow afterparty, and pass out on the floor of my own hallway at 4am.

I don’t recommend trying this at home (The cut, I mean. I definitely recommend the passing out to be at home) unless you have payed keen attention to your stylist’s methods in the past. If you ask yours for it, bring a picture of me with you (you already have one in your wallet, right?) and remember that the the uniqueness of this cut is it’s bluntness. The line of the bangs continues all the way to the ears. And I didn’t shave my “sideburns”, but cut them extremely close. It makes the shape more intentional.

Hair today:

The great thing about having a super fashion-y cut like this is that almost everything you put on looks chic. Well, as long as you’re wearing makeup. On Christmas morning I was understandably hungover, and when I showed up at a guy friend’s house for breakfast, he cheerily pointed out my likeness to an asylum inmate.  Okay, so I can’t wear orange. Also I may or may not regret jokingly made a Three Stooges comparison in front of my wise guy boss.

I dunno, I think he looks pretty hip.

Painfully Hip Collaboration: Nicole Hill Photography

It was the day after the hottest day in the known history of Los Angeles, and the weather was finally behaving. The wetlands’ wind flicking up the model’s wavy wheat hair, the perfect temperature for combining jackets with hot shorts. Nicole Hill is an incredibly talented photographer and we were very excited to work together. The spoils…

Photographed by Nicole Hill
Styled by Amber Mortensen, Painfully Hip
Clothing is vintage. Blue top and shorts by Sapphire Cordial

The Anatomy of Heartbreak by Sapphire Cordial

Remember Painfully Hip’s very own Jamaica Cole? Some of the most riveting articles on this site were written by her. Well, she is also a true-ass fashion designer. Always looking for a way to promote real talent, I wrote this article about her latest collection for Zocalo Magazine. Accompanying is one of my favorite Painfully Hip Design Collective shoots to date! Enjoy.

THE EVOLUTION OF “HEARTBREAK”
JAMAICA COLE SEWS HER HEART ON A SLEEVE

By Amber Mortensen
photos: Ryan Mihalyi

Fashion designer and founder of Sapphire Cordial, Jamaica Cole, has been sewing almost since she could walk. But as we saw at Tucson’s inaugural Fashion Week last month, it takes more than just knowing how to sew to be a designer. So how did Cole go from sewing amorphous cow-patterned potholders at 7 to designing entire collections of elaborate dresses without patterns twice every year?

“Trial and error,” she says plainly, “emphasis on the error.”

Sewing without patterns is not only difficult, but yields one-of-a-kind pieces that don’t allow for exact duplication. But Cole has been doing it this way for every Sapphire Cordial collection since 2006. She compares her process to a musician selling only a single copy of his album.

“This has not been incredibly lucrative. Imagine a musician rehearsing all day all night for an album release show. He plays the songs! The audience cheers! People want to buy the album! But then they get to the merch table and there is only one copy of the CD. Someone buys it and takes it home, and the musician forgets how to play the songs. Such is the life of an independent clothing designer.”

On the other hand, why would an artist want to paint the same painting twice? Before moving to Tucson one year ago, Cole lived, showed and sold her ready-to-wear collections in Northern Californian boutiques, inspired by flowery visual influences ranging from New Orleans architecture to Edwardian luggage.

However, Cole’s Tucson Fashion Week collection was something else entirely. Based on her very personal interpretation of the grieving process, the Anatomy of Heartbreak was her first haute couture collection and her most costly and labor-intensive to date. Echoing themes of human anatomy, transformation and death, this collection was not designed to be a crowd-pleaser or quick-seller. This was art for art’s sake.

“2009 was an exceedingly dry year for me artistically, but since moving to Tucson last year, I’ve launched my website (SapphireCordial.com), shown at the Tucson Museum of Art and Preen Vintage, and created my first couture collection for Tucson Fashion Week. I don’t know if it’s returning to the land of my birth, all the wonderfully sincere people I’ve met here, or just something in the desert air, but moving to Tucson has completely recharged my creative batteries and I’m very content for the first time in years.”

The rest of this amazing shoot:

(click the full screen button in the bottom right of the player to zoom)

Photos by Ryan Mihalyi
Clothing by Jamaica Cole
Modeled by Katie Palmer
Art Direction/Styling by Amber Mortensen
Hair and Makeup by Danielle Cushing
Special thanks to Abraham Cooper, James Grip and the Rialto Theatre, Tucson

PHDC Mixed Prints

My team and I loved the outfits for our Mixed Prints story so much, we decided to use them again to shoot Paige, this straight-to-the-top 14 year old model, who rocked these duds to their maximum rockability. This girl was obviously born to be a model. She and her size 11 tootsies! I had to make a rush trip to Marshall’s and Ross on my way to Phoenix to get some basketball player-sized shoes for her. But oh the results!

Photography – KailasPhotography.com
Model – Paige, FORD
Wardrobe Styling – Amber Mortensen, Painfully Hip.com
Hair – Jenny Strebe
Makeup – Jordan Dudgeon
Jewelry Designed by Laura Kepner-Adney, Wingflash Designs
Outfits 2 & 3 designed by SapphireCordial.com
Shoes from Marshalls and Ross
Everything else is vintage

One Dress Three Ways: County Fair Chic

Remember how your mom would dress you and your four siblings the same when you all went to Universal Studios or a three legged chili cook-off or something and you’d hypothesize profusely about looking like buncha tools? No? Well, I was getting some vivid childhood flashbacks on Diana’s birthday. After we surprised her with a bedroom mini fridge (so she could do her two favorite things at the same time – eat and sleep), we kidnapped her to a secret location custom designed for nausea-inducing amounts of fun.

The good ol’ county fair. Diana’s only clue was a stipulation that she wear one of these identical graphic floral sundress which apparently none of could resist for $1 at the Buffalo Exchange Outlet. Admittedly, it should probably have interfered with her already decided on leopard print “birthday headpiece,” but she wasn’t going to let that stop her. It was her motherfucking birthday and we were going to be just fine in our obnoxious headpieces, 5 inch architectural wedges and stiletto heels, thankyouverymuch.

The following is a step by step example of How to Look Like a Bunch of Tools in Matching Outfits.





(photos by Ciaran Harman)

As we walked in, one security guard told us we looked like “those girls from the 1920s” while his friend exclaimed “SUPER DIVAS!” We were profoundly flattered. I’m pretty sure Diana hasn’t taken her leopard print birthday headpiece off since.