I watched this delightful piece of Henry Mancini magic starring Audrey Hepburn and Albert Finney over the weekend and was understandably impressed by the costumes. Surprise! They were designed by Mary Quant. I think we all kinda knew that Ms. Hepburn was capable of pulling off anything, but I’d like to say two words right now: pleather pantsuit.
When Cecilia Austin, whose work I have been admiring for a while now, asked me to be the stylist on a photo shoot inspired by one of my all-time favorite movies, Amelie (Le fabuleux destin d’Amélie Poulain), I nearly wet myself with glee.
It is a astonishing, painterly movie but Audrey Tatou’s wardrobe – as I found when I re-watched this masterpiece for inspiration – is just a touch dated and ordinary (probably in order to downplay her undeniable good looks). I loved the challenge of bringing out the iconic whimsy and 1920′s inspiration a lot more, while keeping the bashful naiveté and tomboyish mischief that so defines her character.
This pale cornflower ballgown from the 1950s was a left field exception, granted, but we had somehow gotten permission from the Historical Society to shoot in San Francisco’s majestic Old Mint after all, and nothing else would do for the ballroom-like vault room. This dress was the property of one very talented Kristin Cofer‘s late grandmother, and she kindly entrusted me with this relic. I am so glad we could immortalize it for her. So lovely.
Photographers = Cecilia Austin and Ed Cabalit
Model = Jocelyn Largent
Hair and Makeup = Diane Worthley
Stylist = Amber Mortensen
Special Thanks to Kristin Cofer and Alicia Black of Babyfoot Vintage
When Agent Ribbons (vaudeville outlaws, theatrical bandits, our only hope of making it out of monotony alive…) rolled into torrid Tucson like a three ring circus of unquestionable awesomeness, we were excited to reimburse the stratosphere some of our couchsurfing karma. Natalie Ribbons, Lauren Hess and their fanciful dancing bird, Christopher, hit the road from my old stomping grounds (Sacramento, CA) and have been on the lamb since January. We couldn’t let them make their escape with out documenting their dangerous levels of va-va-vaudeville vavoom.
I was feeling a definite Bonnie & Clyde streak brewing. Voila, our very first band shoot!
They chose their performance outfits from the “Painfully Hip Closet/Room” for their performance at the gorgeous Solar Culture Gallery – a mustn’t miss in Tucson – which they rocked without question. After the ensuing spectacle, they left the crowd hankering for more and decided to sing for their supper at the Red Room later that same night. Better believe they had the entire restaurant up and dancing! Quite the feat… especially when late night mozzarella sticks are involved.
photographer: Ryan Mihalyi
styling: Diana Deaver and Amber Mortensen
Hair and Makeup: Amber Mortensen
Special thanks to Stacey and to Solar Culture!
Is it Vaudeville? Or “cabaret-inspired victorian punk garage?” Pictures are always nice, but I’m going to let Natalie’s green wiggle dress do the talking:
If you are a touring band rolling through Tucson, and would like to raid our styling skillz and alliances with amazing photographers like Ryan Mihalyi for some promo shots, launch us an email at painfullyhipATgmail.com!
All images were either created by the Painfully Hip Design Collective, used with permission, or found on the web and believed to be in the public domain. If any images that appear are in violation of copyright law, please let me know and i will remove them immediately.
Thanks for reading,
Amber
painfullyhip at gmail.com